Condenser vs Dynamic Microphone

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Buy a dynamic microphone if your room is untreated or your source is loud, and a condenser if your room is treated and you want detail. A condenser is roughly 19 dB more sensitive than a dynamic (the AT2020 puts out 14.1 mV/Pa, the SM58 1.6 mV/Pa), so it hears more of your voice and more of your room.

Condenser vs dynamic compared

A dynamic gives up some detail to be tough and reject more of the room. A condenser gives up toughness to catch detail.

Dynamic Condenser
How it works Coil moves in a magnet Diaphragm moves against a charged backplate
Power None Battery or phantom power, usually 48 V
Example output SM58: 1.6 mV/Pa AT2020: 14.1 mV/Pa
Room pickup Less, worked close More, captures reflections
Loud sources "Almost impossible to overload" (Shure) Can distort or clip on very loud sources
Detail and highs Narrower response Wider, smoother response
Durability Rugged, shrugs off heat and humidity Can turn noisy in extreme heat or humidity
Best home use Untreated rooms, amps, drums, podcasts Treated rooms, vocals, acoustic guitar, overheads

Output figures are from the SM58 user guide and Audio-Technica's AT2020 page. The durability and overload notes come from Shure's dynamic vs condenser explainer, and the loud-source and room pickup notes from Universal Audio.

How each type works

A dynamic mic is a tiny generator. Sound moves a diaphragm attached to a coil inside a magnetic field, and that makes a voltage with no power needed. Audio-Technica calls it "a speaker in reverse."

Dynamic: sound moves a diaphragm and coil inside a magnet, no power needed, SM58 output 1.6 mV/Pa. Condenser: a thin diaphragm in front of a fixed backplate, the gap changes, needs 48 V, AT2020 output 14.1 mV/Pa
The condenser's lighter diaphragm is why it reacts to quieter, higher-pitched detail.

A condenser's thin diaphragm and fixed backplate form a capacitor, and sound changes the gap between them. Shure's transducer basics say the element has "much less mass," so it responds more easily to subtle sounds and high frequencies.

Which to buy for an untreated room

Buy a dynamic for an untreated room. Shure's vocal recording guide says a condenser "will capture room reflections in addition to the direct vocal sound," and that in a room that isn't professionally designed, "those reflections are unlikely to improve the recording."

Room rule: with bare walls and a hard floor, buy a dynamic. In a treated room or a vocal booth, a condenser becomes the better choice.

Shure adds that upgrading gear alone won't fix a reflective room. So a condenser only pays off once the room is under control. What to fix first is in the acoustic treatment guide, and the full case for dynamics on vocals is in are dynamic microphones good for vocals.

Gain and power

A dynamic needs more preamp gain, and a condenser needs phantom power. Shure says to use an inline booster or stronger preamp with the SM7B "if your preamp does not have more than 60 dB of gain."

Bar chart of gain range: Scarlett Solo 4th Gen 57 dB falls short of the SM7B's 60 dB line, Scarlett 2i2 4th Gen 69 dB clears it. A condenser like the AT2020 sends 22 dB more signal than an SM7B
Gain ranges from Focusrite. The 22 dB gap is calculated from the AT2020's minus 37 dB and the SM7B's minus 59 dBV/Pa sensitivity.

Dynamic needs gain

60+ dB

For the SM7B. The Scarlett Solo has 57 dB, and the Scarlett 2i2 has 69 dB.

Condenser needs power

48 V

The AT2020 draws 48 V DC phantom power at 2 mA. Most interfaces supply it with one switch.

If your interface comes up short on gain, see do I need a preamp to record vocals. What that 48 V switch actually does is in what does 48V do on an audio interface.

Which type for each source

Universal Audio lists dynamics for loud sources and condensers for detailed, quieter ones. Here's how that maps to a home studio where you sing and play:

Source Type Why Picks
Vocals, untreated room Dynamic Rejects the room Best microphone for recording vocals
Vocals, treated room Large-diaphragm condenser More air and detail Best budget vocal mics
Guitar amps, kick, snare, toms Dynamic Handles high SPL Best drum mics
Acoustic guitar, overheads Condenser Captures transients and highs Best acoustic guitar mic
Podcast, voice over Dynamic Room rejection, handling noise Best voice and podcast mic

USB or XLR is a separate decision, covered in XLR vs USB microphone. Every pick by source is in the microphones for home recording hub.

FAQ

Is a condenser or dynamic mic better for a bedroom studio?

A dynamic, unless the room is treated. Worked 1 to 6 inches from your mouth, it records your voice and very little of the bare walls.

Do dynamic mics need phantom power?

No. A dynamic generates its own signal from a coil moving in a magnet. Condensers need power, usually 48 V phantom power from the interface.

Can phantom power damage a dynamic mic?

Almost never. Shure says modern dynamics like the SM58 are designed to accept phantom power without issues, but check the manual first if you own a ribbon mic.

Why does my dynamic mic sound so quiet?

Dynamics put out much less signal. The SM7B gives 1.12 mV/Pa against the AT2020's 14.1 mV/Pa, so it needs a preamp with more than 60 dB of gain, per Shure.

Which is more durable?

The dynamic. Shure says it's almost impossible to overload one and that heat and humidity barely affect it, while condensers can turn noisy in extreme temperature or humidity.

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